Author(s): Svetlana Alexievich
"From the 2015 winner of the Nobel Prize in Literature, Svetlana Alexievich, comes the first English translation of her latest work, an oral history of the disintegration of the Soviet Union and the emergence of a new Russia. Bringing together dozens of voices in her distinctive documentary style, Second-Hand Time is a monument to the collapse of the USSR, charting the decline of Soviet culture and speculating on what will rise from the ashes of Communism. As in all her books, Alexievich gives voice to women and men whose stories are lost in the official narratives of nation-states, creating a powerful alternative history from the personal and private stories of individuals. "
Svetlana Alexievich is the winner of the 2015 Noble Prize for Literature
'The force of her work, the source of its power and plausibility, is the choice of a generation (her own) as a major subject and the close attention to its major inflection point, which was the end of the Soviet Union...Her method is the close interrogation of the past through the collection of individual voices; patient in overcoming cliche, attentive to the unexpected, and restrained in the exposition, her writing reaches those far beyond her own experiences and preoccupations, far beyond her generation, and far beyond the lands of the former Soviet Union...Her central attainment, the recovery of experience from myth, has made her an acute critic of the nostalgic dictatorships in Belarus and Russia...Her non-fiction works as a kind of anti-fiction, and alternative to the alternative realities which, in both Russia and Belarus, arise behind the blindfold of a double nostalgia: of today's ruling elite for the 1970s and 1980s, which were themselves a time of manufactured nostalgia for the Soviet 1930s and 1940s...Her Nobel Prize will expand the Russian world of letters, since her prose is accessible not only to those who share her background and concerns but to younger people who can learn from her what the Soviet Union was and what its legacy means.' New York Review of Books
'For the past thirty or forty years she's been busy mapping the Soviet and post-Soviet individual. But it's not really a history of events. It's a history of emotions.' Sara Danius, Permanent Secretary, Swedish Academy
'Alexievich builds her narratives about Russian national traumas...by interviewing those who lived them, and immersing herself deeply in their testimonies. But her voice is much more than the sum of their voices.' --New Yorker
'In this spellbinding book, Svetlana Alexievich orchestrates a rich symphony of Russian voices telling their stories of love and death, joy and sorrow, as they try to make sense of the twentieth century, so tragic for their country.' -- J. M. Coetzee